Frank Hutchison
Frank Hutchison, described in Okeh Records promotional
materials as “The Pride of West Virginia,” is thought to be the first non-African
American musician to record in the country blues idiom. He was born in Raleigh
County in 1897, but within two years his family moved to Logan County. He was exposed to Appalachian music at an
early age because his grandfather, Eldredge Hutchison, was a fiddle and banjo
player who played regularly in Logan both before and after the family moved
there. Eldredge went to work in the
mines after the move from Raleigh County, and he died a coal miner’s death in a
slate-fall in 1903.
The loss of his grandfather’s music may
have opened Frank to new sounds. When the railroad first came into Logan
County in 1904, he was exposed to African American blues and pre-blues by Henry
Vaughn, a black railroad worker who also played guitar. Later on, when
Frank was working as a miner in the Fort Branch and Ethel coal camps along
Dingess Run, he regularly visited with an older black musician named Bill Hunt
who lived in the hills above the coal camps and played blues music at the company
store on paydays. Sherman Lawson, the fiddler
with whom Frank recorded several tunes, reported to folklorist and musician Mike
Seeger that Frank spent a great deal of time with Hunt and learned many of his
songs from him.
Frank Hutchison was acquainted with many other Logan County
musicians, including the Williamson Brothers and Curry, Dick Justice, and Aunt
Jenny Wilson. In 1984 Aunt Jenny told an
interviewer about how Hutchison and Justice would go to local dances and “play
half the night,” and about how Frank sang the old Scottish and English ballads
like Barbara Allen, although he never recorded any of them.
Between 1926 and 1929 Hutchison recorded more than 30 sides
in New York and St. Louis for the Okeh label. The material was an
eclectic repertoire of blues, pre-blues and blues ballads; ragtime tunes; songs
derived in part from the British ballad tradition; Appalachian fiddle tunes;
and songs of his own composition including one called The Miner’s Blues. He accompanied
himself on guitar on most of them, on harmonica on a few of them, and fellow
Logan Countian Sherman Lawson accompanied him on fiddle on three issued and
three unissued sides. After these
records were made, he frequently performed on stage in Logan and in many of the
surrounding coal camps.
In 1929, Hutchison recorded with artists including Emmett
Miller, Fiddlin' John Carson, and Moonshine Kate for a three-disc album of
music and comedy titled “The Okeh Medicine Show.” The records were meant to
encourage sales of the performers’ 78 rpm records on which listeners could hear
the full versions of the songs they experienced on “The Okeh Medicine Show.”
Hutchison’s rendition of “Stackalee,” a popular murder
ballad of the late nineteenth and early twentieth centuries, was included in
Harry Smith’s 1952 Anthology of American
Folk Music, a six-LP compilation that jump-started the folk revival. (Dick Justice’s “Henry Lee” and “Gonna Die
With My Hammer In My Hand” by the Williamson Brothers and Curry were also
included in the Anthology. Thus three
of the eighty-four tracks on this influential compilation came from Logan
County.)
Hutchison’s legacy has been further secured by the fact that
his songs have been covered by or have influenced a great many musicians,
including Doc Watson, John Fahey, Bob Dylan, Mike Seeger, Roscoe Holcomb, Cowboy
Copas, Frank Fairfield, Chris Smither, and Charlie Parr. He was inducted into the West Virginia Music
Hall of fame in 2018.
After arriving with his family from Raleigh County,
Hutchison lived in Logan at Mud Fork, and then in Fort Branch, Ethel, Big
Creek, and Lake, before moving to Ohio sometime after 1940. He had worked as a coal miner for many years,
and as a storekeeper and postmaster at Lake. He is buried in a hillside family
cemetery in Lake.
—Gloria Goodwin Raheja, February 2021.